die zauberflöte papageno

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Character Papageno Show Die Zauberflöte. Libretto by Emanuel Schikaneder. Prince Tamino stumbles into the land of the … Pa - Pa - Pa - Pa - Pa - Pa - Papagena! After an exciting last-minute Met debut in Rossini’s Le Comte Ory in 2013, Pretty Yende returned a year and a half later not as another bel canto heroine but as Pamina in Mozart’s beloved fairy tale Die Zauberflöte. This recitation takes the musical form of a Baroque chorale prelude, to a tune inspired by Martin Luther's hymn "Ach Gott, vom Himmel sieh darein" (Oh God, look down from heaven). that many, many PAPAGENO They give Tamino a portrait of the Queen of the Night's daughter Pamina, with whom Tamino falls instantly in love (aria: "Dies Bildnis ist bezaubernd schön" / This image is enchantingly beautiful). (The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role.) Note the change in billing. The Lviv performance was brought to the attention of musical scholarship only recently by, "Die Zauberflöte, Masonic Opera, and Other Fairy Tales (PDF Download Available)", "The otherworldly feeling of Mozart's magic", "Mozart, Kirnberger, and the idea of musical purity: Revisiting two sketches from 1782", "Wolfgang Amadeus Mozart (composer) – Discography of American Historical Recordings", "Mozart: Die Zauberflöte, K620 (The Magic Flute)", "Die Zauberflöte, Masonic Opera, and Other Fairy Tales", International Music Score Library Project, Frontispiece of the first edition libretto, Introduction and Variations on a Theme by Mozart, https://en.wikipedia.org/w/index.php?title=The_Magic_Flute&oldid=996497278, Operas set in fictional, mythological and folkloric settings, Articles needing additional references from September 2016, All articles needing additional references, Articles containing Italian-language text, Articles with German-language sources (de), Articles with International Music Score Library Project links, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, "Der Vogelfänger bin ich ja" (The birdcatcher am I) – Papageno, scene 1, "Bei Männern, welche Liebe fühlen" (In men, who feel love) – Pamina and Papageno (duet), scene 2, "Wie stark ist nicht dein Zauberton" (How strong is thy magic tone) – Tamino, finale, "O Isis und Osiris" (O Isis and Osiris) – Sarastro, scene 1, "Alles fühlt der Liebe Freuden" (All feel the joys of love) – Monostatos, scene 3, "In diesen heil'gen Hallen" (Within these sacred halls) – Sarastro, scene 3, "Ach, ich fühl's, es ist verschwunden" (Ah, I feel it, it is vanished) – Pamina, scene 4, "Ein Mädchen oder Weibchen" (A girl or a woman) – Papageno, scene 5, "Pa–, pa–, pa–" – Papageno and Papagena, scene 10, This page was last edited on 26 December 2020, at 23:33. Tamino and Papageno are led in by two priests for the first trial. Tamino begins to play the flute, which summons Pamina. Welche Freude wird das seyn, may be a blessing to their parents. Tamino approaches the left-hand entrance and is denied access by voices from within. It is the greatest feeling Home | Papageno and Pamina enter, searching for Tamino (trio: "Schnelle Füße, rascher Mut" / How strong is thy magic tone). Ah, save me! Wenn dann die kleinen um sie spielen, Animals appear again and dance in the sun. Libretto List | Terzetto: Seid uns zum zweiten Mal wilkommen • 17. Musical highlights. Our flagship summer programme of world class opera. PAPAGENO They plot to destroy the temple ("Nur stille, stille" / Just quiet, quiet) and the Queen confirms that she has promised her daughter Pamina to Monostatos. crown our love with children, Wolfgang Amadeus Mozart. PAPAGENA Pa, pa, pa, pa, pa, pa, geno In ensembles, Mozart skillfully combined voices of different ability levels. Contact The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. / Oh, what luck, my Tamino!"). Wonderful rendition of Papagena/Papageno's duet from Die Zauberflöte. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music (chorus: "Das klinget so herrlich" / That sounds so splendid). The child-spirits restrain her and reassure her of Tamino's love. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. History. They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Explore Die Zauberflöte . In composing the opera, Mozart evidently kept in mind the skills of the singers intended for the premiere, which included both virtuoso and ordinary comic actors asked to sing for the occasion. (Quintet: "Wie, wie, wie" / How, how, how) Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet. PAPAGENA Die Zauberflöte; Papageno; Papageno Die Zauberflöte. Soloists: Christian Boesch (Papageno), Martti Talvela (Sarastro), Peter Schreier (Tamino), Edita Gruberová (Königin der Nacht), Ileana Cotrubas (Pamina), Edda Moser (Erste Dame), Ann Murray (Zweite Dame), Ingrid Mayr. DIE ZAUBERFLÖTE. PAPAGENA no. Tamino vows to rescue Pamina. Stage set by, Josef Greindl, RIAS-Symphonie-Orchester, RIAS Kammerchor, Ferenc Fricsay (1953), Finale. PAPAGENO, PAPAGENA There is then a scene change without interrupting the music, leading into Scene 7. Die Zauberflöte has sold out but you can see it live in cinemas and online on Sunday 4 August. On the reception of the opera, Mozart scholar Maynard Solomon writes: Although there were no reviews of the first performances,[6] it was immediately evident that Mozart and Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the 1790s.[7]. DIE ZAUBERFLÖTE First performance: 30 September 1791, Freihaustheater auf der Wieden (Vienna) Libretto: Emanuel Schikaneder Music: W.A. The opera was premiered in Vienna on 30 September 1791 at the suburban Freihaus-Theater auf der Wieden. Many scholars also acknowledge an influence of Freemasonry.[b]. Aria: Ach ich fühl's, es ist verschwunden • 18. It also requires a four-part chorus for several numbers (notably the finales of each act). The opera has inspired a great number of sequels, adaptations, novels, films, and other works of art. In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. There is then a scene change without interrupting the music, leading into Scene 8. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative and aria: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son!). [i] There is then a scene change without interrupting the music, leading into Scene 9. ... Arnold Östmans Mozart-Zyklus gehört zum spannendsten, was die Originalklangwelle hervorgebracht hat, und die Zauberflöte ist neben dem spannenden Figaro ein absoluter Höhepunkt der Reihe. Pa-Pa-Papagenas The casting of the roles relies on the actual vocal range of the part. PAPAGENO This instrument has since been lost to history, though modern day scholars believe it to be a keyed glockenspiel, which is usually replaced with a celesta in modern-day performances.[28]. PAPAGENA Contribute | They give Papageno magic bells for protection, telling him to go with Tamino. You can see how this opera is becoming more and more esteemed." (Aria: "Ach, ich fühl's, es ist verschwunden" / Oh, I feel it, it is gone) She leaves in despair. Sarastro enters, with a crowd of followers. FIND A CINEMA You might also like . They are recaptured by Monostatos and his slaves. Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno enters dressed as a bird. She leaves. Breakdown. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. • 19. The comic and earthy are represented by the baritone, Papageno, while true love in its noblest forms is conveyed by the tenor, Tamino, and the soprano, Pamina. He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship. Mozart's participation increased with his contributions to the 1790 collaborative opera Der Stein der Weisen (The Philosopher's Stone), including the duet ("Nun liebes Weibchen", K. 625/592a) among other passages. 056-Papageno-Svenska teatern 3.jpg 202 × 310; 28 KB. According to Seyfried's memories (which he published in the, I[mperial] & R[oyal] priv[ileged] Wieden Theatre / Today, Friday 30 September 1791. An old woman enters and offers Papageno a cup of water. Die Zauberflöte (Everding) Grand opera in two acts (1791) Music by. BEYDE Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. [4] Mozart conducted the orchestra,[c] Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law Josepha Hofer. She answers that they must tell the truth. Monostatos hides. Tamino is determined to free Pamina from Sarastro. Pamina rejoices to hear that Tamino is in love with her. No. The arrival of the Queen of the Night. Die Zauberflöte (The Magic Flute) Updated February 11, 2017 | Infoplease Staff. PAPAGENO, PAPAGENA Mozart's participation increased with his contributions to the 1790 collaborative opera Der Stein der Weisen(The … YOU CAN SEE MORE CLIPS FROM Die Zauberflöte ON OUR YOUTUBE CHANNEL. Dann wieder eine Papagena. Die Zauberflöte, K. 620: Act II, Scene III. Wonderful rendition of Papagena/Papageno's duet from Die Zauberflöte. First a little Papageno! Performed concert-style with semi-staging. Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: "Zu Hilfe! Pamina calls to him from offstage. Bist du mir nun ganz gegeben? The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. Part love story, part comedy—and entirely puzzling—Die Zauberflöte (The Magic Flute) is full of in-jokes and barefaced mischief alongside some of music’s most rapturous moments.So it requires musicians who can tread this delicate balance between absurdity and serious art. Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Opera Friday 10th july – 21h00 Cour des hospices. Orchestra, Chorus: Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor. Hier fällt zunächst die extrem transparente Orchesterbesetzung auf. He faints but, when he comes to, realises that he has been rescued – someone else has killed the monster. Hm! He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina's husband. New production on period instruments. PAPAGENA A temple. — Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following Sarastro's aria "O Isis und Osiris". Pamina enters and declares her intention to undergo the remaining trials with him. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. The comic and earthy are represented by the baritone, Papageno, while true love in its noblest forms is conveyed by the tenor, Tamino, and the soprano, Pamina. For a listing, see Works inspired by The Magic Flute. Solomon continues: Mozart's delight is reflected in his last three letters, written to Constanze, who with her sister Sophie was spending the second week of October in Baden. Search | Monostatos brings in Tamino. Unsrer Liebe Kinder schenken, Hills on both sides. Dear woman, dear dove, my beauty) The three child-spirits appear and stop him. pa..."). Then another Papagena! Die Zauberflöte has become the best-known example of this genre not only owing to the fairy-tale story in which by means of a magic flute and his comical companion, Papageno, Prince Tamino seeks the way to Princess Pamina, daughter of the Queen of the Night, but also thanks to the references to Masonic symbolism and, naturally, Mozart ’s engrossing music. The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Nun so sey mein liebes Weibchen! Then a little Papagena! PAPAGENA But from the entrance in the middle, an old priest appears and lets Tamino in. He went to hear his opera almost every night, taking along [friends and] relatives. PAPAGENO Both arias of the Queen of the Night, "O zittre nicht, mein lieber Sohn" and "Der Hölle Rache kocht in meinem Herzen" require high F6, rare in opera. Arias | About | Mozart Cast (in order of vocal appearance): Tamino, tenor (Benedikt Schack) First Lady, soprano (Mlle Klöpfer) Second Lady, soprano (Mlle Hofmann) Third Lady, soprano (Mme Elisabth Schack) Papageno, bass (Emanuel Schikaneder) The Queen of the Night, … Die Zauberflöte Libretto English Translation The Magic Flute. The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon. / The actors of the Imperial and Royal privileged Theatre on the Wieden will have the honour to perform /, The Queen is sometimes referred to by the name "Astrifiammante", an Italian translation of the German adjective "sternflammende" ("star-blazing") in the original libretto, The three child-spirits are often portrayed by young, For instance, in the videotaped performance from the Bayerisches Staatsoper, Munich, 19 September 1983, available from Deutsche Grammophon, For extensive discussion of the spread of, Learn how and when to remove this template message, a preserved playbill for this performance, "O Isis und Osiris", and subsequent dialogue, "March of the Priests" (beginning of act 2), Queen of the Night's second aria, "Der Hölle Rache", Lemberg, today the Ukrainian city of Lviv, was at the time a provincial center of the Austrian Empire. Wolfgang Amadeus Mozart Montserrat Caballé, soprano Thomas Quasthoff, baritone SWR Rundfunkorchester Kaiserslautern Chor des Staatstheater Karlsruhe José Collado. Pamina is asleep. After arguing, they reluctantly decide to leave together. Zu Hilfe!" Warner Classics: 9667932. Offstage, the priests hail their triumph and invite the couple to enter the temple. [21], The names of the performers at the premiere are taken from a preserved playbill for this performance (at right), which does not give full names; "Hr." The three child-spirits hail the dawn. Papagena! 0. Mozart also called for a stromento d'acciaio (instrument of steel) to perform Papageno's magic bells. = Mademoiselle, Miss. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie. Productions of the past century have tended to be more faithful to Mozart's music, though faithful rendering of Mozart and Schikaneder's original (quite explicit) stage directions and dramatic vision continues to be rare; with isolated exceptions, modern productions strongly reflect the creative preferences of the stage director.[11]. Like The Magic Flute, Der Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. The Queen is not pleased. Charles Rosen has remarked on the character of Mozart's orchestration: Die Zauberflöte has the greatest variety of orchestral color that the eighteenth century was to know; the very lavishness, however, is paradoxically also an economy as each effect is a concentrated one, each one—Papageno's whistle, the Queen of the Night's coloratura, the bells, Sarastro's trombones, even the farewell in Scene I for clarinets and pizzicato strings—a single dramatic stroke. Together Tamino and Papageno set forth (Quintet: "Hm! Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Are you really all mine now? BEYDE PAPAGENO Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: "Papagena! Both of these historic recordings have been reissued on modern recording media. = Madame, Mrs.; "Mlle." Tamino comes down from a rock, with a bow but no arrows. The three ladies appear and try to frighten Tamino and Papageno into speaking. So now be my darling little wife! Singspiel in german in 2 acts, created the 30th september 1791 in Vienna. [7], The opera celebrated its 100th performance in November 1792, though Mozart did not have the pleasure of witnessing this milestone, as he had died 5 December 1791. As Mozart's letters show, he was very pleased to have achieved such a success. With the help of bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness but trials of fire and water if he is to arrive at the truth and gain Pamina as his wife. [25][26], While the female roles in the opera are assigned to different voice types, the playbill for the premiere performance referred to all of the female singers as "sopranos". Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her. © Opera-Arias.com 2011-2019. Pa-Pa-Pa-Pa-Pa-Pa-Papageno! The first studio recording of the work, with Sir Thomas Beecham conducting the Berlin Philharmonic, was completed in 1938. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers. Pamina, he says, must be guided by a man. Pa - Pa - Pa - Pa - Pa - Pa - Papagena! Mozart: Die Zauberflöte, K620. They advise him to play his magic bells to summon Papagena. 15031-Magic Flute Production-0354 (16449277821).jpg 3,846 × 2,559; 6.64 MB. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: "In diesen heil'gen Hallen" / Within these sacred halls). Synopsis. Wenn viele, viele, viele, viele, Die Zauberflöte was written with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. O welch ein Glück kann grösser seyn? ACT ONE Overture A rocky place, partly tree-clad. He drinks and teasingly asks whether she has a boyfriend. Three Boys are to guide them as good spirits. The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. Sich ihres Ebenbildes freun. The libretto is also a natural continuation of a series of fairy tale operas produced at the time by Schikaneder's troupe, including an adaptation of Sophie Seyler's Singspiel Oberon as well as Der Stein der Weisen. Alone in a foreign land, Prince Tamino is attacked by a giant serpent. Papageno is frightened and asks Pamina what they should say. Breakdown; Sample Materials; Suggested Audition Pieces; Videos; Related Products; Useful Articles; Breakdown. Aria: In diesen heli'gen Hallen kennt man die Rache nicht • 16. Die Zauberflöte was written with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. Music: Wolfgang Amadeus Mozart: Libretto: Emanuel Schikaneder : Premiere: Vienna, September 30, 1791: First performed only two months before Mozart's death, The Magic Flute is the story of true lovers who must survive magical ordeals before they can be together. The three child-spirits lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: "Zum Ziele führt dich diese Bahn" / This path leads you to your goal). / Die, monster, by our might!). Die Zauberflöte. See more characters from Emanuel Schikaneder Wolfgang Amadeus Mozart . PAPAGENA "[29], The opera begins with the overture, which Mozart composed last.[30]. ), segued into trio "Stirb, Ungeheuer, durch uns're Macht!" Scenes with Papageno in Die Zauberflöte. Pamina is dragged in by Sarastro's slaves, apparently having tried to escape. Dann wieder einen Papageno. Premiered just months before Mozart’s death, Die Zauberflöte in many ways represents a new departure for the composer. Pa-Pa-Pa-Pa-Pa-Pa-Papagena! Scene 3: A grove in front of a temple, Scene 2: The courtyard of the Temple of Ordeal, Scene 9: A rocky landscape outside the temple; night, Der, welcher wandert diese Strasse voll Beschwerden, The genre of the work is hard to specify. The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: "O Isis und Osiris" / O Isis and Osiris). Sung … [10], As Branscombe documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see Ludwig Wenzel Lachnith). [2], The libretto for The Magic Flute, written by Schikaneder, is thought by scholars to be based on many sources. The priests grant his request for a glass of wine and he expresses his desire for a wife. Gender Male Age Range Adult Role Size Lead Dancing Non Dancer Voice … Salzburg Festival, Salzburg, 1982. The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. PAPAGENO The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: "Bewahret euch von Weibertücken / Keep yourselves from women's tricks"). Help! Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. PAPAGENO. Weibchen, Täubchen, meine Schöne" / Papagena! The Magic Flute is currently among the most frequently performed of all operas. Merciful gods! Operas | "One of Mozart’s most enchanting works, Die Zauberflöte is a fairy tale that uses familiar archetypes to ask provocative and difficult questions about religion, the nature of power, the bonds of family, and of course love. PAPAGENA They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. Conductor: James Leivine. Tamino wakes up, and is surprised to find himself still alive. Rolando is joined by a world-class cast, including Klaus Florian Vogt (Tamino), Christiane Karg (Pamina), Regula Mühlemann (Papagena), Albina Shagimuratova (Queen of the Night), and Franz-Josef Selig (Sarastro). They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death ("Der, welcher wandert diese Strasse voll Beschwerden" / He who walks this path weighed down with cares). Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos (Johann Joseph Nouseul) are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. Two men in armor lead in Tamino. (Aria: "Alles fühlt der Liebe Freuden" / All feel the joys of love) He is about to kiss the sleeping Pamina, when the Queen of the Night appears. There is then a scene change without interrupting the music, leading into Scene 10. Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". Events. Hm!"). The priests declare that virtue and righteousness will sanctify life and make mortals like gods ("Wenn Tugend und Gerechtigkeit" / When virtue and justice). Der Segen froher Eltern seyn; In response to the Queen's questioning, Pamina explains that Tamino is joining Sarastro's brotherhood and that she is thinking of accompanying him. Festival 2019 gallery. Since then there have been many recordings, in both audio and video formats.[36][37]. Papagena! Pa, pa, pa, pa, pa, pa, gena She explains that her husband, the previous owner of the temple, on his deathbed gave the ownership to Sarastro instead of to her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother). Nun so sey mein Herzenstäubchen! such dear little children! SHARE. PAPAGENA It then made "triumphal progress through Germany's opera houses great and small",[9] and with the early 19th century spread to essentially all the countries of Europe—and eventually, everywhere in the world—where opera is cultivated. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. The traitorous Monostatos appears with the Queen of the Night and her three ladies. Papageno happily takes the credit – claiming he strangled it with his bare hands. Help, or I am lost, doomed to fall prey to the cunning serpent! Terms | Die Zauberflöte Mozart’s magical fairy tale Die Zauberflöte is a Glyndebourne favourite, with a host of productions gracing the stage since its 1935 debut. He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. Catch up on the latest news from Glyndebourne, discover more… Festival. / Long live Sarastro!). 1 - Introduction TAMINO Help! [g][31]) They exit and Papageno enters. Papageno complains of thirst. Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her.

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